<rss version="2.0" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:trackback="http://madskills.com/public/xml/rss/module/trackback/"><channel><title>SundayPaper.com</title><link>http://www.sundaypaper.com</link><description>RSS feeds for SundayPaper.com</description><ttl>60</ttl><item><comments>http://www.sundaypaper.com/Blogs/IntheKnow/tabid/236/articleType/ArticleView/articleId/3663/Menagerie-malaise.aspx#Comments</comments><slash:comments>1</slash:comments><wfw:commentRss>http://www.sundaypaper.com/DesktopModules/DnnForge%20-%20NewsArticles/RssComments.aspx?TabID=236&amp;ModuleID=1735&amp;ArticleID=3663</wfw:commentRss><trackback:ping>http://www.sundaypaper.com/DesktopModules/DnnForge%20-%20NewsArticles/Tracking/Trackback.aspx?ArticleID=3663&amp;PortalID=0&amp;TabID=236</trackback:ping><title>'Menagerie' malaise</title><link>http://www.sundaypaper.com/Blogs/IntheKnow/tabid/236/articleType/ArticleView/articleId/3663/Menagerie-malaise.aspx</link><description>Blow out your candles, Laura.&amp;#160; Aurora has "postponed" plans for its highly anticipated March production of "The Glass Menagerie" – which was to have been staged by Alliance artistic director Susan Booth, with an illustrious cast:&amp;#160; Jill Jane Clements, Thomas Piper, Courtney Patterson and Chris Moses.&amp;#160; What better (or, rather, worse) occasion to start a theater blog?&amp;#160; Read it and weep . . . and/or&amp;#160;comment!&lt;br /&gt;
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Booth withdrew from the project a couple of weeks ago, apparently, but why?&amp;#160; An e-mail inquiry with the Alliance’s Robert Saxon, associate director of communications, yielded a summary reply:&amp;#160; "Best thing would be to have a conversation directly with Aurora to get the details of that decision."&amp;#160; As though the decision wasn’t Booth’s?&lt;br /&gt;
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According to an e-mail response from Aurora artistic director Anthony Rodriguez, "When (Booth) originally agreed to direct ‘The Glass Menagerie,’ she was not yet scheduled to direct ‘Jesus Christ Superstar GOSPEL.’&amp;#160;. . .&amp;#160;&amp;#160;Although Susan made every effort to accommodate and accomplish both projects, she explained to me that she was mistaken in her belief that she could pull both projects off while ‘honoring her commitments to her theater and her family.’"&lt;br /&gt;
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Correct me if I’m wrong, but I’ve always assumed a director’s job was technically finished once a production opens.&amp;#160; ("Superstar" bowed on Jan. 21 and "Menagerie" rehearsals were slated to begin this week.)&amp;#160; As someone who questioned where was Booth’s commitment to "her theater" when she bailed from the Alliance’s "Glengarry Glen Ross" two seasons ago – for a gig at the Humana Festival – news of her Aurora "Menagerie" had me preparing to take it all back.&lt;br /&gt;
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Aside from doing a smashing job of it, Booth’s 2007 "Thom Pain" at Actor’s Express showed a sense of community on her part – the &lt;em&gt;Atlanta&lt;/em&gt; community, that is – that I’ve not often felt about her.&amp;#160; (Or about her approach to the work, I should say.&amp;#160; We’ve never actually met.)&amp;#160;&amp;#160;On the one hand, yes, of course, it’s remarkable that the Alliance won the regional Tony Award, or that it sent "The Color Purple" – if not (yet) "Sister Act" or "The Women of Brewster Place" – to Broadway.&amp;#160; On the other hand, can someone tell me this:&amp;#160; What &lt;em&gt;is&lt;/em&gt;&amp;#160;a "regional theater," anyway?&amp;#160; Is the purpose of the Alliance to serve and support its &lt;em&gt;own&lt;/em&gt;&amp;#160;region?&amp;#160; Is it to feed the theater scene in New York?&amp;#160; Both?&lt;br /&gt;
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Rather than going on with the show under another director, Aurora has substituted "Duets" (featuring Marianne Fraulo and Don Finney).&amp;#160;&amp;#160;"Susan and I are meeting to find a suitable time to reschedule ‘The Glass Menagerie’ in the future," Rodriguez writes.&amp;#160; "(We) chose together for her to direct, a project for which she has a great passion and a distinct vision.&amp;#160; That is the ‘Glass Menagerie’ I wanted to produce and the one I look forward to producing when Susan and I can find a slot in her schedule and ours that works for us all."&lt;br /&gt;
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Meanwhile, there’s talk that "Superstar" is on the New York track, too, which would explain a lot.&amp;#160; If it’s some kind of ongoing work-in-progress, then clearly Booth’s job isn’t&amp;#160;over as the director of the show.&amp;#160; (Then again, if that's the case, why wouldn’t the Alliance come right out and say it?)&lt;br /&gt;
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At any rate, better so-called "scheduling conflicts" than the ol’ "creative differences," I suppose.&amp;#160; But does this mean we should be holding our breath to see a Booth-directed "Menagerie" at Aurora . . . or her "Superstar" on Broadway?</description><dc:creator>Bert Osborne</dc:creator><pubDate>Fri, 06 Feb 2009 17:00:00 GMT</pubDate><guid isPermaLink="false">f1397696-738c-4295-afcd-943feb885714:3663</guid></item><item><comments>http://www.sundaypaper.com/Blogs/IntheKnow/tabid/236/articleType/ArticleView/articleId/3664/One-persons-Bravo-is-anothers-Boo.aspx#Comments</comments><slash:comments>1</slash:comments><wfw:commentRss>http://www.sundaypaper.com/DesktopModules/DnnForge%20-%20NewsArticles/RssComments.aspx?TabID=236&amp;ModuleID=1735&amp;ArticleID=3664</wfw:commentRss><trackback:ping>http://www.sundaypaper.com/DesktopModules/DnnForge%20-%20NewsArticles/Tracking/Trackback.aspx?ArticleID=3664&amp;PortalID=0&amp;TabID=236</trackback:ping><title>One person's 'Bravo!' is another's 'Boo!'</title><link>http://www.sundaypaper.com/Blogs/IntheKnow/tabid/236/articleType/ArticleView/articleId/3664/One-persons-Bravo-is-anothers-Boo.aspx</link><description>&lt;p&gt;Oh, I am just &lt;em&gt;so&lt;/em&gt; happy for Kate Warner!&amp;#160; After five seasons as artistic director at Dad’s Garage – after a prior 10 years as managing director for Theatrical Outfit, and as one of Atlanta’s most prolific "freelance" directors all the while – Warner will be packing it up at the Garage and leaving town altogether in April, when she becomes the new senior artistic director for Boston’s New Repertory Theatre.&amp;#160;&amp;#160;In my head, I know that it’s a terrific opportunity for Warner, a step up for her, a really big deal, and I’ve no doubt she’ll do a fine job.&lt;br /&gt;
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Yeah, it’s great for &lt;em&gt;her&lt;/em&gt;, but what about the rest of us (which is to say, of course, what about &lt;em&gt;me&lt;/em&gt;)?&amp;#160;&amp;#160;Outside my head – I almost wrote "in my heart," but critics don’t have those, right? – there’s a selfish part of me that doesn’t feel much like celebrating the fact we’re losing one of our better directors.&amp;#160;&amp;#160;I review Atlanta theater.&amp;#160; What happens in Boston stays in Boston.&amp;#160;&amp;#160;Out of sight, out of mind, to put it rather (yes) heartlessly.&amp;#160; Will we ever see her again?&amp;#160; What’s to celebrate?&lt;br /&gt;
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Although I wasn’t always the biggest fan of her work, more recently I’d come to appreciate quite a lot of it.&amp;#160; (Whether that means something about &lt;em&gt;her&lt;/em&gt; evolution – or&amp;#160;&lt;em&gt;mine&lt;/em&gt;, perhaps – is another blog . . . .)&amp;#160; Her exhilarating "Indulgences" was one of last season’s best productions.&amp;#160; So was her sensuous "Skin" the season before that (one of several collaborations with Atlanta playwright Steve Yockey).&amp;#160; From the classic drama "One Flew Over the Cuckoo’s Nest" to the zombie musical "Song of the Living Dead" to last fall’s high-school satire "Class," Warner ran the gamut.&lt;br /&gt;
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Her latest Garage show, "Mojo," opens this week in the troupe’s Top Shelf space, and Warner is also directing next month’s mainstage "B-Team" (opening March 13) – before heading off to Bean-Town.&amp;#160; Details are forthcoming about who will now direct this summer’s "Boy Groove," and about whether the company’s Board of Directors might name an interim artistic director to carry through the season until they can find a permanent replacement by next fall.&lt;br /&gt;
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"I’m very sad to move on but also very proud of how we have raised our audience’s expectations and changed how they go to the theater," Warner says in a press release issued today about her departure.&amp;#160; "Most importantly, I’m proud to move on from Dad’s at a time when they are best positioned to take their own work to the next level."&lt;br /&gt;
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I wish Warner all the best.&amp;#160; Really, I do.&amp;#160; No less so, just because I feel like sulking a little, too.&lt;/p&gt;</description><dc:creator>Bert Osborne</dc:creator><pubDate>Fri, 06 Feb 2009 16:37:00 GMT</pubDate><guid isPermaLink="false">f1397696-738c-4295-afcd-943feb885714:3664</guid></item></channel></rss>